Ol' Dirty Bastard – Return To The 36 Chambers: The Dirty Version
Label: |
Elektra – RPD1 706205 / 603497835379 |
|---|---|
Format: |
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Country: |
UK & US |
Released: |
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Genre: |
Hip Hop |
Style: |
Hardcore Hip-Hop |
Tracklist
| A-1 | Intro | 4:47 | |
| A-2 | Shimmy Shimmy Ya | 2:41 | |
| A-3 | Baby C'mon | 3:26 | |
| A-4 | Brooklyn Zoo | 3:37 | |
| B-1 | Hippa To Da Hoppa | 3:01 | |
| B-2 | Raw Hide | 4:02 | |
| B-3 | Damage | 2:47 | |
| B-4 | Don't U Know | 4:26 | |
| C-1 | The Stomp | 2:22 | |
| C-2 | Goin' Down | 4:19 | |
| C-3 | Drunk Game (Sweet Sugar Pie) | 4:20 | |
| C-4 | Snakes | 5:26 | |
| D-1 | Brooklyn Zoo II (Tiger Crane) | 7:20 | |
| D-2 | Proteck Ya Neck II The Zoo | 4:00 | |
| D-3 | Cuttin' Headz | 2:28 |
Credits
- Reissue Producer – Jason Jones (30)
Notes
Original Album Credits:
EXECUTIVE PRODUCERS: OLI GRANT, MITCHELL DIGGS, DENNIS COLES, DANTE ROSS
Mixed by The RZA, Buddah Monk & Or Dirty Bastard
Mastered by Tom (The Referee) Coyne at Sterling Sound
Photography: Danny Clinch
Thanks Mom & Dad for allowing a nigga to live. Thanks to the RZA for being the brain of all this shit. Thanks to the Clan for all their fly shit.
Thanks to Dante Ross, Leesa Brunson, and Rick Posada at the label for puttin' up wit my shit. Thanks to all the rap artists, R&B artists, soul, classical, jazz, country, rock & roll, reggae, heavy metal, funk and all that shit for inspiring me. Thanks to my black women and seeds, and thanks to Probation Officer Dyson for keepin' me out of jail. Thanks to all video shows in and outside the country.
Thank you to all my fans for keeping it dirty, and thanks to everybody on my side. And I'd like to thank all the DIs across the country, all promotion, marketing, radio, underground radio, Sylvia Rhone and Mae (Me).
P.S. To All My Niggas and Niggetts: Keep It Real and Come to My Godamn Shows.
Reissue Album Credits:
A&R: Jason Jones
Product Manager: Kara Hailele-Griffin Coleman
Art Direction: Rory Wilson
Photos Courtesy of Danny Clinch
Packaging Manager: Andrew Campbell
Project Assistance: Susanne Savage, Kent Liu, Mark Ramsey, Sheryl Farber, John Srebalus
Special Thanks: Icelene Jones, Taniqua Jones, Shaquita Jones, Bar-Sun Jones AKA Young Dirty Bastard, Cheery Jones, William Jones, Brooklyn Jones, Wu-Tang Clan, Popa Wu, The Estate of Russell Jones, Messiah Jacobs, Nicole Beckett, Four Screens Management
© 2023, 1995, © 1995 Elektra Entertainment Group, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. Unauthorized duplication is a violation of applicable laws. Made in . RPD1 706205 / 603497835379
EXECUTIVE PRODUCERS: OLI GRANT, MITCHELL DIGGS, DENNIS COLES, DANTE ROSS
Mixed by The RZA, Buddah Monk & Or Dirty Bastard
Mastered by Tom (The Referee) Coyne at Sterling Sound
Photography: Danny Clinch
Thanks Mom & Dad for allowing a nigga to live. Thanks to the RZA for being the brain of all this shit. Thanks to the Clan for all their fly shit.
Thanks to Dante Ross, Leesa Brunson, and Rick Posada at the label for puttin' up wit my shit. Thanks to all the rap artists, R&B artists, soul, classical, jazz, country, rock & roll, reggae, heavy metal, funk and all that shit for inspiring me. Thanks to my black women and seeds, and thanks to Probation Officer Dyson for keepin' me out of jail. Thanks to all video shows in and outside the country.
Thank you to all my fans for keeping it dirty, and thanks to everybody on my side. And I'd like to thank all the DIs across the country, all promotion, marketing, radio, underground radio, Sylvia Rhone and Mae (Me).
P.S. To All My Niggas and Niggetts: Keep It Real and Come to My Godamn Shows.
Reissue Album Credits:
A&R: Jason Jones
Product Manager: Kara Hailele-Griffin Coleman
Art Direction: Rory Wilson
Photos Courtesy of Danny Clinch
Packaging Manager: Andrew Campbell
Project Assistance: Susanne Savage, Kent Liu, Mark Ramsey, Sheryl Farber, John Srebalus
Special Thanks: Icelene Jones, Taniqua Jones, Shaquita Jones, Bar-Sun Jones AKA Young Dirty Bastard, Cheery Jones, William Jones, Brooklyn Jones, Wu-Tang Clan, Popa Wu, The Estate of Russell Jones, Messiah Jacobs, Nicole Beckett, Four Screens Management
© 2023, 1995, © 1995 Elektra Entertainment Group, a Warner Music Group Company. All Rights Reserved. Manufactured for & Marketed by Rhino Entertainment Company, a Warner Music Group Company. Unauthorized duplication is a violation of applicable laws. Made in . RPD1 706205 / 603497835379
Barcode and Other Identifiers
- Barcode (Text on sticker): 6 03497 83537 9
- Barcode (Scanned from sticker, UPC_A): 603497835379
Other Versions (5 of 53)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Return To The 36 Chambers: The Dirty Version (CD, Album) | Elektra | 61659-2 | US | 1995 | ||
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Recently Edited
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Return To The 36 Chambers: The Dirty Version (2×LP, Album) | Elektra | 61659-1 | US | 1995 | ||
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Recently Edited
|
Return To The 36 Chambers - Instrumentals (2×LP, Album, Unofficial Release) | Not On Label (Ol' Dirty Bastard) | ODB | UK | 1995 | ||
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Recently Edited
|
Return To The 36 Chambers: The Dirty Version (2×LP, Album, Promo, Clean) | Elektra | ED 5796 | US | 1995 | ||
|
Recently Edited
|
Return To The 36 Chambers: The Dirty Version Instrumental (2×LP, Album, Promo) | Elektra | ED 5739 | US | 1995 |
Recommendations
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2023 USVinyl —LP, Album, Record Store Day, Limited Edition, Reissue -
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Reviews
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The bonus tracks are 2 of the best songs on the album. I grew up with this CD and they always had the bonus tracks included. To release this on 2 vinyl that doesn’t have that original timeless classic cover but rather some cheesy looking picture disc, without the bonus tracks and to command prices of around 70$ is unacceptable. I think this is a rip-off.
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Very good sounding for a picture disc.
The details and packaging is amazing and strong.
Bass is heavy and beats are nice and punchy.
9.5/10. Wish it had the bonus songs. -
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Yeah, I do think that my local store ripped me off a bit (80 bucks), but since it's a really great looking edition and it was the last of the classic first Wu-solos that I didn't have on vinyl, I thought "screw it, it's my first picture disc". No regrets, it's beautiful. As for the sound, yes right at the start of some sides there is quite the surface noise/woosh, whutever. But it gets quickly drowned out by the hard hitting beats and mostly, it's really no issue at all. also that one pic in the gatefold is double, but meh, who cares. so if you
are interested in the album, get this one! -
Beautiful. ODB and wu-tang as a whole don’t improve sound when it’s meant to sound grimy. That said, it sounds great. For a picture disc is sounds amazing. The whole package is a steal. A must have. -
Im glad to have this record! So dope! 🔥 But I noticed that the picture on side four is incorrect in the gatefold. Sounds good, no real complaints from me. Still no the best sounding due to it being a picture disc, but not bad! Peace ✌️ ☮️ -
How does this sound compared to the generic Electra 2 lp and the rsd instrumental album?
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For a picture disk it sounds pretty good! But for Wu Tang fans it’s a must. The discs are fantastic looking. -
Is my copy the only one with a whooshing sound through the whole thing? Terrible pressing.
Release
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